It began when a six-year-old girl from Kandewadi, a small slum near Andheri in Mumbai goes missing. Pinky was the first to go, then Jamila followed by Mary, Sindhu and Tara.
Panic grips the slum when these children are returned as mutilated and raped corpses. Lalli takes charge of the investigation with police officers Savio and Shukla and her niece Sita who is also her accomplice. Written from Sita's point of view, Kalpana Swaminathan's latest book slowly opens to an unimaginable cruel world of crime and put forth several questions to ponder upon.
The book has dealt with issues like brutal child abuse, politics that can sell and buy anything, the helplessness of the officials who are not corrupt, pseudo feminism, etc. Though crime fiction written especially by Indian authors highlight several issues and makes the reader ask pertinent questions, there’s often a tendency to dismiss fiction noir as mere 'pulp fiction'. It is unfortunate.
If you put down a list of serious crime novels, Kalpana Swaminathan's ' Greenlight' will be the first in the category. It is her sixth book in the Lalli series.
Let's see who Lalli is? She is a retired police detective who has ace shooting skills. She is in her sixties and is ruling the roost in a world dominated by men. If there is a murder, Lalli is the last resort even for the police.
The book is unputdownable and a great relief that Indian writers can create novels in this genre that can compete with the west.
To speak further on the book, it throws light on the bizarre mindset of the people. On one side, there is the world of the rich, who believe in committing horrendous crimes just for the sake of thrills. They brutalise slum children purely because they do not consider them worthy of living in this world. Then there are the slum dwellers, who refuse to empathise with Tara's mother, a sex worker, even after Tara is abducted and killed. They even pray for Tara's death just because her mother is a sex-worker; they think she deserves it.
What I also like about the book is the innuendoes on pseudo- feminism. In a meeting called by Seema, the journalist who is following the Kandewadi story, women easily forget the atrocities and rape and easily shift their attention to take it as a platform to indulge in their own selfish interests – some writes articles, poem, etc. One has killed her feotus and has written a poem on it justifying her actions that she aborted it to save the fetus from the world. She has taken the decision after reading the Kandewadi incidents.
Sita who could not bear this hypocrisy comes out of the meeting and thinks to herself that “ I had lacked the courage I might have had five years ago to tell those women what a misogynistic bunch of voyeurs, they were, what pathetic human beings they were, if their only response to the pain of others was to trot out sorry tales of their own. I wondered what they would have said, or done if they had seen Tara in her empty hut.”
Calling ' Lalli', a ' Desi Miss Marple' will not do any justification to the round character Kalpana Swaminathan has created. Even the author has clarified once that Lalli is not like Miss Marple. There are no similarities barring the fact that they love sleuthing. Like Miss Marple of Agatha Christie, Lalli has her own identity.
One thing that could have been avoided is the gory description of the brutalities committed to the children. It's horrendous. This reminds me of books written by a renowned Crime writer from the West, Tess Gerritsen. Perhaps it might be their background as medical doctors which enable them to write precise description though a bit gross.
When the story ends Swaminathan also puts across a question to ponder “ The Cry, How can I bear that someone should use my body like this? Is usually read as a woman's outrage. But isn't it equally a man's? It is men who should protest against rape and not women.”
- Shalet Jimmy
published here as Murders in Maximum City
Panic grips the slum when these children are returned as mutilated and raped corpses. Lalli takes charge of the investigation with police officers Savio and Shukla and her niece Sita who is also her accomplice. Written from Sita's point of view, Kalpana Swaminathan's latest book slowly opens to an unimaginable cruel world of crime and put forth several questions to ponder upon.
The book has dealt with issues like brutal child abuse, politics that can sell and buy anything, the helplessness of the officials who are not corrupt, pseudo feminism, etc. Though crime fiction written especially by Indian authors highlight several issues and makes the reader ask pertinent questions, there’s often a tendency to dismiss fiction noir as mere 'pulp fiction'. It is unfortunate.
If you put down a list of serious crime novels, Kalpana Swaminathan's ' Greenlight' will be the first in the category. It is her sixth book in the Lalli series.
Let's see who Lalli is? She is a retired police detective who has ace shooting skills. She is in her sixties and is ruling the roost in a world dominated by men. If there is a murder, Lalli is the last resort even for the police.
The book is unputdownable and a great relief that Indian writers can create novels in this genre that can compete with the west.To speak further on the book, it throws light on the bizarre mindset of the people. On one side, there is the world of the rich, who believe in committing horrendous crimes just for the sake of thrills. They brutalise slum children purely because they do not consider them worthy of living in this world. Then there are the slum dwellers, who refuse to empathise with Tara's mother, a sex worker, even after Tara is abducted and killed. They even pray for Tara's death just because her mother is a sex-worker; they think she deserves it.
What I also like about the book is the innuendoes on pseudo- feminism. In a meeting called by Seema, the journalist who is following the Kandewadi story, women easily forget the atrocities and rape and easily shift their attention to take it as a platform to indulge in their own selfish interests – some writes articles, poem, etc. One has killed her feotus and has written a poem on it justifying her actions that she aborted it to save the fetus from the world. She has taken the decision after reading the Kandewadi incidents.
Sita who could not bear this hypocrisy comes out of the meeting and thinks to herself that “ I had lacked the courage I might have had five years ago to tell those women what a misogynistic bunch of voyeurs, they were, what pathetic human beings they were, if their only response to the pain of others was to trot out sorry tales of their own. I wondered what they would have said, or done if they had seen Tara in her empty hut.”
Calling ' Lalli', a ' Desi Miss Marple' will not do any justification to the round character Kalpana Swaminathan has created. Even the author has clarified once that Lalli is not like Miss Marple. There are no similarities barring the fact that they love sleuthing. Like Miss Marple of Agatha Christie, Lalli has her own identity.
One thing that could have been avoided is the gory description of the brutalities committed to the children. It's horrendous. This reminds me of books written by a renowned Crime writer from the West, Tess Gerritsen. Perhaps it might be their background as medical doctors which enable them to write precise description though a bit gross.
When the story ends Swaminathan also puts across a question to ponder “ The Cry, How can I bear that someone should use my body like this? Is usually read as a woman's outrage. But isn't it equally a man's? It is men who should protest against rape and not women.”
- Shalet Jimmy
published here as Murders in Maximum City
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